Questions about example sentences with, and the definition and usage of "Tezuka"
Other questions about "Tezuka"
Q:
Consequently, Tezuka's management of Mushi Productions got more profligate. Animation production requires the management of a large number of artists, especially animators, in order to maintain an efficient workflow. However, Tezuka was too busy creating manga to be present at the animation production line, and the entire production process often came to a halt until he checked the scripts and storyboards. As a result, the staff was forced to work overtime every day, which not only increased the cost of labor, but also caused the staff to complain about Tezuka. Whenever this happened, Tezuka raised their salaries to try soothing their frustration. bu doğru görünüyor mu?
A:
Sounds good!!
Q:
Tezuka, who dreamed of working in animation, was delighted with the offer. However, he was disappointed and frustrated when he participated in the production. Although he proposed a number of ideas, they were rejected in meetings or changed to the point that they could not be kept in their original form, which was unbearable for a self-respecting artist like him. Moreover, he learned that the production of animated films inevitably came up against the difficulty of managing hundreds of artists. He realized that when one produced an animation one had to be both an artist and a manager. bu doğru görünüyor mu?
A:
× However, he was disappointed and frustrated when he participated in the production.
✓ However, he was disappointed and frustrated when he actually participated in the production.
× Although he proposed a number of ideas, they were rejected in meetings or changed to the point that they could not be kept in their original form, which was unbearable for a self-respecting artist like him.
✓ Although he proposed a number of ideas, they were rejected in meetings or changed to the point that they were not kept in their original forms, which was unbearable for a self-respecting artist like him.
× Moreover, he learned that the production of animated films inevitably came up against the difficulty of managing hundreds of artists.
✓ From this experience, he learnt ( learned is a adjective) that the production of the animated films, came up inevitably against the difficulty of managing hundreds of artists.
× He realized that when one produced an animation one had to be both an artist and a manager.
✓ In addition( or moreover) he had realized that when professional produces an animation, he/she had to be both an artist and a manager.
I felt that moreover is something like that could be used in last line. So I changed it little bit.
✓ However, he was disappointed and frustrated when he actually participated in the production.
× Although he proposed a number of ideas, they were rejected in meetings or changed to the point that they could not be kept in their original form, which was unbearable for a self-respecting artist like him.
✓ Although he proposed a number of ideas, they were rejected in meetings or changed to the point that they were not kept in their original forms, which was unbearable for a self-respecting artist like him.
× Moreover, he learned that the production of animated films inevitably came up against the difficulty of managing hundreds of artists.
✓ From this experience, he learnt ( learned is a adjective) that the production of the animated films, came up inevitably against the difficulty of managing hundreds of artists.
× He realized that when one produced an animation one had to be both an artist and a manager.
✓ In addition( or moreover) he had realized that when professional produces an animation, he/she had to be both an artist and a manager.
I felt that moreover is something like that could be used in last line. So I changed it little bit.
Q:
Tezuka had heard about what the merchandising business was like through a manufacturer. As mentioned earlier, "Astro Boy" was scheduled to be aired for 13 weeks, and because the budget the sponsor provided (through the TV network) him was far less than the actual production cost, Tezuka needed countermeasures to make up for losses. In other words, he recognized that the more Astro show was made, the more money it would lose. As his way of loss compensation, he had the following plans: (1) sort and organize the background pictures and celluloid pictures used and use them over and over again so that in the end it would be possible to make a whole show with almost no need to make new pictures, (2) export the Astro show to American TV stations to earn dollars, and (3) release Astro merchandise to the market as soon as the show finishes to make up for losses in production costs with their royalties to him. bu doğru görünüyor mu?
A:
× In other words, he recognized that the more Astro show was made, the more money it would lose.
✓ In other words, he recognized that the longer Astro show would continue being made, the more money it would lose.
× As his way of loss compensation, he had the following plans: (1) sort and organize the background pictures and celluloid pictures used and use them over and over again so that in the end it would be possible to make a whole show with almost no need to make new pictures, (2) export the Astro show to American TV stations to earn dollars, and (3) release Astro merchandise to the market as soon as the show finishes to make up for losses in production costs with their royalties to him.
✓ As his way of loss compensation, he had the following plans: (1) sort and organize the background pictures and celluloid pictures used and use them over and over again so that in the end it would be possible to make a whole show with almost no need to make new pictures, (2) export the Astro show to American TV stations to earn dollars, and (3) release Astro merchandise to the market as soon as the show finishes to make up for losses in production costs with the royalties paid to him.
"to earn dollars" sounds a bit strange, even though you used it to specifically mean gaining American dollars. I think "to increase revenue" would be better as it more strongly connects to the original purpose of "loss compensation".
✓ In other words, he recognized that the longer Astro show would continue being made, the more money it would lose.
× As his way of loss compensation, he had the following plans: (1) sort and organize the background pictures and celluloid pictures used and use them over and over again so that in the end it would be possible to make a whole show with almost no need to make new pictures, (2) export the Astro show to American TV stations to earn dollars, and (3) release Astro merchandise to the market as soon as the show finishes to make up for losses in production costs with their royalties to him.
✓ As his way of loss compensation, he had the following plans: (1) sort and organize the background pictures and celluloid pictures used and use them over and over again so that in the end it would be possible to make a whole show with almost no need to make new pictures, (2) export the Astro show to American TV stations to earn dollars, and (3) release Astro merchandise to the market as soon as the show finishes to make up for losses in production costs with the royalties paid to him.
"to earn dollars" sounds a bit strange, even though you used it to specifically mean gaining American dollars. I think "to increase revenue" would be better as it more strongly connects to the original purpose of "loss compensation".
Q:
Tezuka's Astro Boy is still a controversial subject among Japanese anime historians over its achievements and sins. On the other hand, there is no one to discuss his beloved son and the production company Mushi Productions from the point of view of the wage system. So I would like to discuss the matter briefly below.
Tezuka had no vision of the wage system when he founded his own anime studio in 1961. As I mentioned earlier, whenever he recruited animators from other animation studios, he asked them "How much do you get paid now? I'll pay you twice as much when you join us!" Although he was already wealthy as Japan's best-selling manga artist, Tezuka was saddled with deficits when he began production of Astro Boy. He was more saddled with deficits when the unexpectedly high ratings of the show, which was originally scheduled to run for 13 episodes from January 1 to the end of March, or three months, made the TV network and the confectionery company sponsoring it very happy and hoped to continue the anime show, and NBC, one of the three major networks in the U.S., said that it would purchase the program if Tezuka would produce 50 shows, or a year's worth of stock. It meant that he had to employ other more crews, especially animators, in order to continue production of the program. bu doğru görünüyor mu?
Tezuka had no vision of the wage system when he founded his own anime studio in 1961. As I mentioned earlier, whenever he recruited animators from other animation studios, he asked them "How much do you get paid now? I'll pay you twice as much when you join us!" Although he was already wealthy as Japan's best-selling manga artist, Tezuka was saddled with deficits when he began production of Astro Boy. He was more saddled with deficits when the unexpectedly high ratings of the show, which was originally scheduled to run for 13 episodes from January 1 to the end of March, or three months, made the TV network and the confectionery company sponsoring it very happy and hoped to continue the anime show, and NBC, one of the three major networks in the U.S., said that it would purchase the program if Tezuka would produce 50 shows, or a year's worth of stock. It meant that he had to employ other more crews, especially animators, in order to continue production of the program. bu doğru görünüyor mu?
A:
× On the other hand, there is no one to discuss his beloved son and the production company Mushi Productions from the point of view of the wage system.
✓ On the other hand, there has been no one discussing his beloved son and the production company Mushi Productions from the point of view of the wage system.
× He was more saddled with deficits when the unexpectedly high ratings of the show, which was originally scheduled to run for 13 episodes from January 1 to the end of March, or three months, made the TV network and the confectionery company sponsoring it very happy and hoped to continue the anime show, and NBC, one of the three major networks in the U.S., said that it would purchase the program if Tezuka would produce 50 shows, or a year's worth of stock.
✓ He was further saddled with more deficits when the unexpectedly high ratings of the show, which was originally scheduled to run for 13 episodes from January 1 to the end of March, or three months, made the TV network and the confectionery company sponsoring it very happy and hoped to continue the anime show; and NBC, one of the three major networks in the U.S., said that it would purchase the program if Tezuka would produce 50 shows, or a year's worth of stock.
× It meant that he had to employ other more crews, especially animators, in order to continue production of the program.
✓ It meant that he had to employ additional crew, especially animators, in order to continue production of the program.
I'm not sure whether "defecits" is supposed to mean "debts" or "expenses".
✓ On the other hand, there has been no one discussing his beloved son and the production company Mushi Productions from the point of view of the wage system.
× He was more saddled with deficits when the unexpectedly high ratings of the show, which was originally scheduled to run for 13 episodes from January 1 to the end of March, or three months, made the TV network and the confectionery company sponsoring it very happy and hoped to continue the anime show, and NBC, one of the three major networks in the U.S., said that it would purchase the program if Tezuka would produce 50 shows, or a year's worth of stock.
✓ He was further saddled with more deficits when the unexpectedly high ratings of the show, which was originally scheduled to run for 13 episodes from January 1 to the end of March, or three months, made the TV network and the confectionery company sponsoring it very happy and hoped to continue the anime show; and NBC, one of the three major networks in the U.S., said that it would purchase the program if Tezuka would produce 50 shows, or a year's worth of stock.
× It meant that he had to employ other more crews, especially animators, in order to continue production of the program.
✓ It meant that he had to employ additional crew, especially animators, in order to continue production of the program.
I'm not sure whether "defecits" is supposed to mean "debts" or "expenses".
Q:
Tezuka was a manga artist. Unlike American cartoonists, Japanese cartoonists (or manga artists) own the copyright to their own works. The copyright of "Superman" was owned by DC Comics, whereas the copyright of "Astro Boy" was owned by the author, Tezuka. Japanese manga artists recognize themselves to be "artists" than American comics creators. Therefore, when a manga artist set up a private studio in Japan, he or she wants to treat the staff as "artists" rather than "workers". Some animators who got tired of the labor-management conflict at Toei Animation joined Tezuka's studio because they did not like to think of themselves as "workers". bu doğru görünüyor mu?
A:
× The copyright of "Superman" was owned by DC Comics, whereas the copyright of "Astro Boy" was owned by the author, Tezuka.
✓ The copyright of "Superman" is owned by DC Comics, whereas the copyright of "Astro Boy" was owned by the author, Tezuka.
× Japanese manga artists recognize themselves to be "artists" than American comics creators.
✓ As opposed to American comic creators, Japanese manga artists label themselves as artists.
× Therefore, when a manga artist set up a private studio in Japan, he or she wants to treat the staff as "artists" rather than "workers".
✓ Therefore, when a manga artist sets up a private studio in Japan, he or she wants to treat the staff as "artists" rather than "workers".
× Some animators who got tired of the labor-management conflict at Toei Animation joined Tezuka's studio because they did not like to think of themselves as "workers".
✓ Some animators who’d gotten tired of the labor-management conflict at Toei Animation joined Tezuka's studio because they did not like to think of themselves as "workers".
The last sentence is a bit misplaced. It doesn’t really flow from the previous idea.
✓ The copyright of "Superman" is owned by DC Comics, whereas the copyright of "Astro Boy" was owned by the author, Tezuka.
× Japanese manga artists recognize themselves to be "artists" than American comics creators.
✓ As opposed to American comic creators, Japanese manga artists label themselves as artists.
× Therefore, when a manga artist set up a private studio in Japan, he or she wants to treat the staff as "artists" rather than "workers".
✓ Therefore, when a manga artist sets up a private studio in Japan, he or she wants to treat the staff as "artists" rather than "workers".
× Some animators who got tired of the labor-management conflict at Toei Animation joined Tezuka's studio because they did not like to think of themselves as "workers".
✓ Some animators who’d gotten tired of the labor-management conflict at Toei Animation joined Tezuka's studio because they did not like to think of themselves as "workers".
The last sentence is a bit misplaced. It doesn’t really flow from the previous idea.
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